To support my vision in the field of dance, I completed my training in Breath Coaching and Life Coaching outside of academia. During my Qi Gong based Yin Yoga teacher training, I focused on more esoteric perspectives such as Taoist philosophy, the body’s energy points, meridians and chakras and the elements.

I made a conscious effort to keep my knowledge of the body and health up to date through training in Functional Anatomy and Connective Tissue and Fascia Anatomy. After studying connective tissue from a theoretical perspective, I began to explore in practical terms how fascial health, whose importance we understand much more clearly today, can be maintained through dance. I continue to keep this research current by pursuing further training at the Rolfing Institute in Munich.

By examining yin yang duality both in theory and within movement itself, I gained clarity on the idea that feminine energy carries a meaning far beyond conventional notions of femininity. Within dance practice, I developed new exercises and methods on how feminine energy can be embodied and sustained through movement.

Since 2015, I have completed the practitioner training of Somatic Dialogue®, which has been my primary source of movement.

During my master’s studies in Dance and Movement Therapy, I received academic level training in body oriented therapeutic approaches widely recognized in scientific literature such as Laban Movement Analysis, Bartenieff Fundamentals, Body Therapies, Kestenberg Movement Profile and Moving Cycles.